The folk at The Report are,
reluctantly, still making the transition from cassette to CD. As such, we
can easily lose ourselves in yesteryear's rotations. Of course, we feel
that our complacency is justified. Popular songs like My
Humps do little to encourage us to finish the last mile on the
treadmill. Still, every now and then, we stumble across a contemporary
album that moves us to give our beloved Troop tape a rest.
Right now, The Breakthrough by Mary
J. Blige is that album. Mary’s been around for a while. But never
before has she created an album where her genius outshined her internal
discord. The Breakthrough
does that and more. Granted, visceral conflict often gives artists necessary
provocation to compose (see Marvin
Gaye). However, when 'the drama' becomes too grandiose, an artist’s craft
can become an afterthought, necessary only to ensure that payments to their
Star Island beach house are made on time.
Whitney Houston now exemplifies this notion. She began her career with an angelic voice, a slue of hit
singles, and a public image that could’ve anchored even the most sanctimonious
of fairytales. Today, her music and once mesmerizing voice are afterthoughts
(can you name one song from her last 3 albums? - the Shut Up song from Being Bobby Brown
doesn’t count). Her talents have been lost amongst her public
and private battles with family, friends, and drugs. In effect, her
troubled persona has become larger than her music.
While Mary’s been down this road, it’s
clear that she’s found a new direction for her music and life. With songs
like Enough Cryin' and Can't Hide From Luv, she keeps the rugged
framework that her fans have always loved (and too many others have tried to
copy). But the subtle addtion of positive spirit makes her voice and message
remarkably refreshing- especially in a time when only the most angry black
artists seem to get air time.
Make sure you pay for this album, Mrs.
Blige deserves every penny.





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